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In Dolores Prida's semiautobiographical play Casa Propia, a Cuban immigrant family deals with home ownership

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Director Sándor Menéndez creates an adult fairy tale, complete with songs. The late Cuban-American columnist and playwright Dolores Prida aptly called her 1999 semiautobiographical play, about a matriarchal Cuban immigrant family's struggles with East Harlem home ownership, A Room of One's Own infused with Lysistrata. Conflicted trailblazer Olga, who believes owning land in America is meaningful vengeance against a society that largely denies her existence, fights to purchase property where her cynical daughter, Marilis, and domineering mother-in-law, Fefa, might establish permanent refuge, despite her lothario husband Manolo's insistence he can't be tied to one spot (as it might inhibit his incessant philandering, particularly with curvaceous new neighbor Yarisa).…

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