Director Jason Gerace focuses on character development, not punchlines.
There are probably safer plays in the American theater canon than George S. Kaufman and Moss Hart’s Pulitzer Prize-winning chestnut about a family of eccentrics who do their thing while the rest of the world toils in quiet desperation—but I can’t think of any. First produced in 1936, in the middle of the Great Depression, the play is almost entirely shadow free: no money worries, no personal problems.…
Director Jason Gerace focuses on character development, not punchlines.
There are probably safer plays in the American theater canon than George S. Kaufman and Moss Hart’s Pulitzer Prize-winning chestnut about a family of eccentrics who do their thing while the rest of the world toils in quiet desperation—but I can’t think of any. First produced in 1936, in the middle of the Great Depression, the play is almost entirely shadow free: no money worries, no personal problems.…