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Tom Palazzolo’s Love It/Leave It lampoons the binary choice presented to 70s antiwar protesters

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Logan Center screens the experimental classic as part of a retrospective on underground distributor Canyon Cinema. This winter the University of Chicago Film Studies Center presents a series of programs celebrating the 50th anniversary of Canyon Cinema, the experimental-film distributor founded by filmmaker Bruce Baillie and still going strong in San Francisco. This Friday's installment, "Decodings," offers plenty of exciting stuff: Jodie Mack's Point de Gaze (2012), a dazzling high-speed montage of the patterns in fine Belgian lacework; Naomi Uman's Removed (1999), in which the figure of a woman has been scraped away from 16-millimeter footage of an old 1970s soft-core feature, just as her perspective has been overlooked in the original; and JoAnn Elam's Lie Back and Enjoy It (1982), whose soundtrack consists of a woman interrogating a male filmmaker about the power relationship he creates when he trains his lens on her.…

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