In 2000 the Brazilian pop singer Bebel Gilberto—daughter of the brilliant bossa nova pioneer João Gilberto—achieved a breakthrough with her album Tanta Tempo (Six Degrees), a masterful blend of sensual bossa nova grooves with gentle club flourishes that, like Starbucks, quickly became a model of middle-class sophistication. Though the music remains lovely if a bit toothless, in the years since its release she has struggled to parlay this approach into something fresh.…
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