I first encountered Lea Bertucci’s music when she was playing bass clarinet on the 2014 album L’Onde Souterraine (Telegraph Harp), a series of visceral yet meditative duet improvisations with cellist Leila Bordreuil. The music she’s released since then has revealed a broad and fascinating artistic practice often focused on the acoustics of specific spaces.…
I first encountered Lea Bertucci’s music when she was playing bass clarinet on the 2014 album L’Onde Souterraine (Telegraph Harp), a series of visceral yet meditative duet improvisations with cellist Leila Bordreuil. The music she’s released since then has revealed a broad and fascinating artistic practice often focused on the acoustics of specific spaces.…