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Christine Fellows illuminates the liminal on Roses on the Vine

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It’d be a mistake to call Christine Fellows’s two previous albums “concept albums,” but each has a singular point of inspiration: Femmes de Chez Nous (2011) was born out of the Canadian singer-songwriter and poet’s research into the history of women in Winnipeg (conducted during her residency at Le Musée de Saint-Boniface, a Franco-Manitoban culture museum housed in a former Winnipeg nunnery). Burning Daylight (2014) is a collection of odes to the Canadian north, partly inspired by Jack London stories.…

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