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A white Canadian pop star and two Black hip-hop artists share a reality-TV crib.
There are two specific places in Tearrance Arvelle Chisholm's P.Y.G. or the Mis-Edumacaton of Dorian Belle that are likely to change every time this play (which premiered in Washington, D.C., this past April) hits the stage. One is a montage of news reports on unarmed Black people killed by police and other acts of white supremacist terror, such as Charlottesville.…