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On his bracing new album Cruel Optimism (Room40) veteran Australian sound artist Lawrence English subtly erases boundaries between ambient drift and industrial roar, forging aqueous instrumentals that seem to occupy an entire world. Normally he creates his turbulent recordings entirely on his own, as he did with the 2014’s bruising Wilderness of Mirrors—an appropriate precursor in terms of its visceral chill—but for the first time he’s enlisted a number of guest musicians.…