In what is actually the director’s second film, she delivers an interactive, self-reflective performance.
Even if you don't recognize the name Zia Anger, you're probably familiar with her work. Over the last few years, Anger has pushed and played with the limits of conceptual visual storytelling as the creative force behind some of the most notable music videos in indie music over the last decade, including Mitski's "Geyser" and "Your Best American Girl," Angel Olsen's "Hi-Five," Maggie Rogers's "Fallingwater," and a slew of projects for Jenny Hval.…
In what is actually the director’s second film, she delivers an interactive, self-reflective performance.
Even if you don't recognize the name Zia Anger, you're probably familiar with her work. Over the last few years, Anger has pushed and played with the limits of conceptual visual storytelling as the creative force behind some of the most notable music videos in indie music over the last decade, including Mitski's "Geyser" and "Your Best American Girl," Angel Olsen's "Hi-Five," Maggie Rogers's "Fallingwater," and a slew of projects for Jenny Hval.…