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On Working Class Woman, Marie Davidson grounds neurotic techno in the realities of being a touring musician

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In the relationship between musician and listener, seduction is an overrated quality; isn’t the idea that an artist has to woo their audience to welcome them and create a sense of intimacy kind of degrading? On her 2018 album, Working Class Woman (Ninja Tune), Canadian electronic producer and singer Marie Davidson seems to suggest a far better option is to foreground a shared, deeply felt sense of disgust.…

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