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There’s never much debate about whether or not a new Robyn album is a party—it’s rather about what kind of party it is. With her 2010 trio of Body Talk releases, the Swedish dance-pop phenomenon unleashed a rank of futuristic club bangers, several of which, including “Dancing on My Own” and “Call Your Girlfriend,” are still rightfully queued up on TouchTunes jukeboxes as a way to boost bar vibes when bar vibes are badly in need of boosting. But Robyn’s most recent full-length, 2018’s Honey (Konichiwa), simmers and writhes in its own restraint.…