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Haley Fohr of Circuit des Yeux gives the local premiere of her score for the 1923 silent film Salomé

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Anyone who regularly reads my writing in this paper probably knows about my growing admiration for Haley Fohr, a vocalist, composer, and improviser whose stunning creative growth over the last few years is matched by her rigor and ambition. Last year her long-running project Circuit des Yeux dropped a knockout album, Reaching for Indigo (Drag City), which deftly melds folk, psychedelia, and art songs with kaleidoscopic arrangements and heart-stopping singing.…

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