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Emo granddaddy Jeremy Enigk revisits his orchestral-pop solo debut, Return of the Frog Queen

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Seattle emo superheroes Sunny Day Real Estate were falling apart at the end of 1994, when they recorded LP2, an album that still feels like a comet entering earth’s atmosphere. Listening to it, I get a sense of the band’s behind-the-scenes tension, especially from Jeremy Enigk’s otherworldly howl, which seems to scoop up all the complex feelings of being in the precarious position of being young and on the precipice of stardom; many had touted them as the next big thing, especially given their backing by Sub Pop, at the time was the biggest indie label in the world.…

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